In previous posts we have examined several iterations of the Eucharistic performance within the framework of a postmodern understanding of the inherent instability of the text. Now we turn to a final criticism often raised in opposition to innovations within the spiritual life of the church.
In our previous post we explored Derrida's concepts of iterability and (un)translatability. In this post we apply the first of these concepts in an examination of iterations of the Eucharistic text.
In God Without Being, Jean-Luc Marion explores the Eucharistic event as the scene of inbreaking of God's unconditional gift to humanity – a theological site where sign, locutor, and referent all converge in the person of Jesus Christ, the living Word.[1] However, along with the gift Marion includes a conditional that keeps on giving: the bishop as mediator of Christ, or put another way, a human...